CH0SENP4TH

TAPE TASTE: CH0SENP4TH

JAN 31 2026 - DEBUT DEMO TAPE RELEASE

“CHOSEN PATH” IS A SOLO PROJECT MUSIC TAPE, WHICH KICK STARTED MY MUSIC CAREER WITH 3 SINGLE OUTLINING MY JOURNEY AS A PALESTINIAN TRANS WOMAN ON THE LAND, NAVIGATING HER TRANSITION DURING THE LAST COUPLE OF YEARS. HERE'S A QUICK TASTE OFF THE DEMO.

SPENDING TIME ON THE INTERNET (VOL. 2)

A sonic dive into the 'Online Diva' persona, “JUN 7 - SPENDING TIME ON THE INTERNET VOL.2” reclaims trans visibility from the realm of basic survival. Set in the high-velocity dating culture of Tel Aviv, the track explores the luxury of choice. The artist explicitly acknowledges her privilege—safety, shelter, and stability—to focus on a higher tier of desire. It is a bold dismissal of the 'regular' and a political statement on the right to be selective, high-maintenance, and unrepentantly focused on the finer things in life.

92' PRINCESS

"92’ PRINCESS" is a calculated strike against the pigeonholing of trans women in the Levant. Living in Jaffa, Lillyuses this "stabby" hyperpop anthem to dismantle the narrative that a trans woman’s identity must revolve around the Tel Aviv Vogue scene. Sampling JT’s "90s Baby" as a nod to unapologetic female hustle, the track is a political middle finger to those who expect submission or "guidance." Lyrically, the song is a masterclass in "serving the critics what they want to hear" while maintaining total control. From the financial dominance of "his funds are mine" to the raw, physical confidence of being "the truth," Lilly subverts the "typical" trans narrative. It is a celebration of polyamory, sexual agency, and expensive tastes—released in June 2025 as a defiant victory lap after a year of struggle for trans individuals globally.

ORCHESTRAL

“ORCHESTRAL” is a sonic exploration of life in Jaffa’s Ajami neighborhood, tracing the shifting perspective of a Palestinian trans woman navigating an uneven landscape of coexistence. Moving between past and present, the track examines the intersection of identity, visibility, and the reality of pinkwashing. By sampling Haifa Wehbe’s “Wawa” and utilizing Jaffa’s local Arabic dialect, the artist bridges childhood intimacy with the paranoia of modern surveillance. Through the symbolic motif of the Jaffa orange, “ORCHESTRAL” weaves personal history into a broader narrative of displacement and social reality.